BOOKS
Once again, a year in which almost all of my book purchases were second-hand. This has never really been about saving money - I simply enjoy finding a book I want in the random jumble of a used book store far more than picking it off the alphabetically arranged shelves of a Waterstones. There are some books (Michael Marshall Smith’s The Servants, for instance) that I have bought new, but haven’t got round to reading yet. And far and away the best book I’ve read this year was Shirley Jackson’s We Have Always Lived In The Castle, which was first published in 1962.
Duma Key, by Stephen King.
Easily in the top position, as this is King’s best book in years; for me, his best novel since Bag Of Bones. This one has the deep and easy-to-like main characters, the uncomplicated and realistic dialogue, and the slow-burning yet involving plotting that used to be King’s trademarks.
Infected, by Scott Sigler.
We’re now in the realms of the only two other books actually published in 2008 that I bought and read, even though this one was obtained second-hand. It’s a very King-like horror thriller (which skews this selection even more than I’d like), whose only real fault is it’s lack of story threads and muffled ending.
Just After Sunset, by Stephen King.
Only on this list by virtue of being the other new book purchased this year, this collection of stories has some gems (and, to be fair, King never writes badly, whatever his other faults) but the themes of the tales here are old hat, if not outright cliched, and King adds nothing new to the mix.
GAMES
This year has been mostly spent playing, and re-playing, Super Mario Galaxy (released at the tail end of last year), and finally finishing off Resident Evil 4 and Metroid Prime 3 (released considerably earlier). All three of these would be in my Top 3, if they were eligible.
Soul Bubbles, on Nintendo DS.
This is simply one of the most enchanting games I have ever played. Its premise is simple - protect the fairy-light souls in a bubble and then blow them through the danger-packed level to the end. An easy enough game unless, like me, you are compelled to collect every bonus item along the way, which dramatically increases the game’s longevity.
De Blob, on Nintendo Wii.
Bought at half-price on the day of release, this was never destined to be a high profile best seller. You control a paint blob character who has to bring colour back to various areas of a city that has been rendered in black and white by the evil authorities. The various challenges and side quests make this game, as do the little touches (for instance, the way the soundtrack builds up, instrument by instrument, as you bring more and more colours to the buildings).
Lost Winds, on Nintendo WiiWare.
This game sort of appeared out of nowhere on the Wii’s Virtual Console and, for my money, was maybe the first game to properly utilise the Wii Remote properly. It’s a simple 2D platformer, but its wind-based gameplay was both mellow and rewarding. Also on the WiiWare, I bought Cubello and Orbient, both simple games, but both as utterly fulfilling as all games should be.
MOVIES
Another slim year of cinema-going for me - I simply can’t be bothered with the effort of it all. For years the general public has hacked me off, and now the cinema staff seem as disinterested in my enjoying the movie too. Sod ‘em. The only other films I saw at the cinema this year were Indiana Jones and Hellboy 2, and they were both crap.
The Dark Knight.
There’s much wrong with this film (Bale’s absurd Batman voice, and the fact that it’s easily half a hour too long (that, or the structure of the Joker’s anarchy campaign is too stop-and-start for a film this long)), and I suspect that without Ledger’s astonishing turn as the Clown Prince of Crime, and the public eulogising subsequent to his untimely death, this would be far less a film than it is. But it’s still the Batman film I’ve waited many years to see.
Burn After Reading.
Far more ephemeral than the Coen Brothers’ other No Country For Old Men, yet far more satisfying, this has a laugh-out-loud script performed to well pitched perfection by the entire cast. I can’t remember the last time I had as much fun watching a film.
Iron Man.
On one hand, this is family-friendly fodder, based on a character I could never care less about. On the other, it’s the best attempt so far to make a coherent story from a superhero’s origin, while still addressing the other concerns that bad guys get thumped and things go explodey-BOOM. I enjoyed it immensely.
MUSIC
The funny thing here is that I’m much more into books, movies and games than music, yet I have an actual Top 5 for music this year, while everything else struggles to achieve a Top 3. My favourite stuff, though, has been a rediscovery of Iggy Pop & The Stooges, and a discovery of Captain Beefheart, both of which have hardly been out of the stereo.
Portishead - Third.
Well worth the wait, this one. It sounds like a late album from a band who have produced a lot of music getting to this stage. As a third album from a band who took ten years to make it, it’s something both strangely familiar and new.
Phoebe Killdeer and the Short Straws - Weather’s Coming…
This late in the year, and I can’t even remember how I heard of Phoebe Killdeer. But I immediately went out and bought this album, for all of £3 off some bloke on the eBay. It’s so good I wish now that I’d bought it full price so that band might see some of the money… It’s a bit Aimee Mann and Tom Waits, and quite a bit Gallic. And it’s all quite wonky.
The Kills - Midnight Boom.
This seems to be on quite a few lists this year, even though it’s the same guitar-and-drum-machine formula as before. But it’s a formula that works.
MGMT - Oracular Spectacular.
I think I saw MGMT on Jools Holland, and could be forgiven for thinking it was archive footage. This is a thumping psychedelic album, while also being a bit of a foot-stomper.
Cold War Kids - Loyalty To Loyalty.
In all honesty, this is something of a disappointment after their excellent debut album, whose name escapes me. There’s nothing on here to even approach the instantly memorable Hang Me Out To Dry. For all that, it’s a more experimental and accomplished album, and I can’t really say that I don’t like it at all.




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